Jaén's massive cathedral still dwarfs the rest of the city, especially when seen from the hilltop eyrie of Cerro de Santa Catalina. Its construction lasted from 1540 to 1724, replacing a crumbling Gothic cathedral which itself stood on the site of a mosque. Its perceived perfection of design – by Andrés de Vandelvira, the master architect of Úbeda and Baeza, and his father Pedro – made Jaén Cathedral a model for many of the great churches of Latin America.
The facade on Plaza de Santa María, completed in the 18th century, owes more to the baroque tradition than to the Renaissance, thanks to its host of statuary by Seville’s Pedro Roldán. But the predominant aesthetic is Renaissance – particularly evident in its huge, round arches and clusters of Corinthian columns. A great circular dome rises over the crossing before the main altar. From the sacristy antechamber, south of the crossing, a 57-step staircase leads up to corridors along the cathedral's south and west sides yielding impressive views down into the cathedral.
